More of a return to a traditional J-pop sound after the experimental deviation that was Fushigi, but with a more mature twist. The mixing and songwriting is much more conventional than Fushigi, but still carries an aura of sadness. Nakamori's vocals are stellar as always, as are the charming instrumental tracks. 'Oh No, Oh Yes' 'MIND GAME' and 'Exotica' are highlights.
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