| | | Ratings (2) |
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| 2.5 average | PerpetualChange | February 19th 14 |
The album is best when Jeremy Messersmith speaks to the broader human condition. Other times, Messersmith's heart-ached swoons land somewhere between confident and creepy. Lyrics are delivered confidently to idolized young girls who are addressed often in the 2nd person. I want to really like Messersmith, but he sounds like a cross between a poor man's Ben Gibbard and Rivers Cuomo.
Bump |
| 4.0 excellent | efurniss | February 12th 14 |
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