| | | Ratings (2) |
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| 4.0 excellent | musichub | November 10th 21 |
Subtitled for the six tones that represent the Guidonian hexachord (the foundations of sight-singing and modern choral performance generally), this is generally the less-regarded of the two L'homme arme masses, much more straight-forward in its construction and less interesting dynamically. Even still, it's a worthwhile listen for the sake of contrasting those two masses, and Josquin loves his canons so those are always a given, enjoyable to hear.
Bump |
| 4.5 superb | Greem | August 15th 17 |
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