| | | Ratings (4) |
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| 1.0 awful | Robbit | May 3rd 16 |
At just under 8 minutes, The Great Kat's GUITAR GODDESS EP still manages to overstay its
welcome. I'm well acquainted with her deranged hyper speed neo-classical & thrash hybrid and
actually enjoyed a bit of her 2nd album, BEETHOVEN ON SPEED. While her shtick would seem to
be a very dryly played attempt at comedy rock, Kat remains in character for all of her
interviews and seems dead set on her mission to revolutionize heavy metal music.
If this is truly the case, then GUITAR GODDESS is unlikely to attract any new devotees. The
two instrumental tracks (Rossini's "Barber Of Seville" & Sarasate's Gypsy Violin Waltz)
showcases Kat's prowess at whizzing up and down the guitar neck as if it were a violin while
her drummer slams out incessant death metal blast beats at insanely fast tempos. If sloppily
executed neo-classical licks are for you, then maybe you'll find something of value here.
However, Kat's overall objective would probably be to irritate and annoy, at which she
succeeds at brilliantly.
Bump |
| 1.0 awful | EasterInTheBatcave | December 3rd 15 |
Two atrocious classical covers and two even worse originals. Note the tacky tribal drumming on "Feast of the Dead." The recording quality is especially bad on this one.
Bump |
| 0.0 | Lambda | December 9th 13 |
This time around we have a disastrous "The Barber of Seville" cover- Kat's tweedly guitar just gets annoying- and two barely listenable originals titled "Dominatrix" and "Feast of the Dead." The latter attempts to spice things up with some tribal drumming, but it comes off a little tacky and isn't integrated well into the song. Lastly is "Sarasates Gypsy Violin Waltz," which is the only track worth hearing. The recording quality is kinda grainy on this one for some reason. 1.8
Bump |
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