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In 1998, Musicom, (a three piece from Brussels consisting of Pierre Mussche, Ernst Meinrath and Renaud Charlier), began crafting tracks of cool
electronic ambience mixed with orchestral hip-hop, as soundtracks for adverts and underground films. Scottish born Esra Tasasiz was working in
Brussels at that time writing and composing songs with various Brussels based artists. She joined Musicom and the four decided to work together on
recording a short piece of music.
It was during these sessions that it soon became obvious that their creative output worked outside the confines of cinemato ...read more
In 1998, Musicom, (a three piece from Brussels consisting of Pierre Mussche, Ernst Meinrath and Renaud Charlier), began crafting tracks of cool
electronic ambience mixed with orchestral hip-hop, as soundtracks for adverts and underground films. Scottish born Esra Tasasiz was working in
Brussels at that time writing and composing songs with various Brussels based artists. She joined Musicom and the four decided to work together on
recording a short piece of music.
It was during these sessions that it soon became obvious that their creative output worked outside the confines of cinematography and Airlock were
formed.
The production of their first album ‘Drystar’ stretched over a period of two-and-a-half-years. During this time Airlock met with cult film director Oliver
Van Hoofstadt and wrote some tracks in conjunction with the making of three of his films - Keo, Snuff Movie, and Parabellum. ‘Face Down’ the
composition that appeared on Parabellum, finally made its way via European radio stations to the desks of British record labels as part of a demo.
After being spoilt for choice, they signed up with One Little Indian on which ‘Drystar’ was released in 2001.
Source: http://www.last.fm/music/Airlock « hide |
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