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Karol Maciej Korwin-Szymanowski (1882-1937), was a Polish composer and pianist,
Born on the 3rd October 1882 in Tymoszowka, Poland, he lived between the death of Chopin and the rise of the post-World
War II generation of Grażyna Bacewicz and Witold Lutosławski. His style developed in three distinct stages: from a strong
affinity with Richard Strauss, Alexander Scriabin and fellow countryman Frédéric Chopin, to flavourings of the Orient, the
Mediterranean, and the impressionism of Claude Debussy and Maurice Ravel, to a nationalist final period influenced by Polish
folk music and ...read more
Karol Maciej Korwin-Szymanowski (1882-1937), was a Polish composer and pianist,
Born on the 3rd October 1882 in Tymoszowka, Poland, he lived between the death of Chopin and the rise of the post-World
War II generation of Grażyna Bacewicz and Witold Lutosławski. His style developed in three distinct stages: from a strong
affinity with Richard Strauss, Alexander Scriabin and fellow countryman Frédéric Chopin, to flavourings of the Orient, the
Mediterranean, and the impressionism of Claude Debussy and Maurice Ravel, to a nationalist final period influenced by Polish
folk music and the Eastern Church.
Even when writing in a Polish idiom, Szymanowski far exceeded the established musical language of central Europe, and is
remembered as an exotic outlier of twentieth-century music. He began, however, strongly opposed to folk material as a
source for Polish music and considered it provincial. We should remember, however, that Poland, at this point a duchy of the
Russian empire, did not become an official nation until after the First World War. Nationalism was expressed mainly through
the Catholic Church and through identification with either Chopin or Western Europe – that is, against Russia.
After graduating from the Warsaw Music Institute (now, the Conservatory), Szymanowski became involved with a group that
called itself Young Poland and included the composer and conductor Grzegorz Fitelberg and composer Ludomir Różycki. His
music began to get played in both Poland and Germany. To this period belong the Concert Overture (1906) and his First
Symphony (1907). Born into a well-to-do and cultured family, Szymanowski read and travelled widely. « hide |
Similar Bands: Alexander Scriabin, Alban Berg, Arthur Honegger, Dmitri Shostakovich, Witold Lutoslawski |
| Litania do Marii Panny 1933
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| Harnasie, Op. 55 1931
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| Veni Creator, Op.57 1930
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| Stabat mater 1926
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| Demeter, Op.37bis 1924
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| Słopiewnie, Op.46-bis 1921
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| Piano Sonata No. 3 1917
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| Masques, op. 34 1916
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| Symphony No.3, Song of the Night 1916
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| Masques op. 34 1916
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| 12 Etudes, Op.33 1915
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| Métopes, Op. 29 1915
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| Penthesilea, Op.18 1908
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| Fantasy, Op.14 1905
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| The Swan, Op.7 1904
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| 9 Preludes, Op.1 1900
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Contributors: ShitsofRain,
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