Review Summary: Fits the bill, but not quite a classic soundtrack.
In Rogue One, Michael Giacchino captures the bombastic pinache of the Star Wars soundtracks. Aggressive moments in the movie are emphasized with blaring horns, and dramatically loud strings. Considering the overt, large-scale war theme of the movie, this type of soundtrack does the action justice. In that regard, The Imperial March is never far from the mind when watching the movie. Neither is the fact that John Williams did not compose this body of work. Nonetheless, Rogue One’s soundtrack is not far from its inspired roots. The sudden flute bursts and thunderous percussion match perfectly the style of old.
Though an inspired soundtrack, it cannot help but sound as a calculated duplication — a copycat soundtrack. Plagiarism is not the issue, for the songs themselves are unique. Rather, the issue stems from the feeling of familiarity, and the bombastic method in tandem. While engrossing strings, and emotional segments ensue, they too often sound like repurposed moments from iconic Star Wars scenes. Many parts in Rogue One will have you reminiscing about those exact musical moments.
Despite being an obvious nod to the past, Michael’s achievement of creating a John Williams-like soundtrack is impressive. Sweeping strings evoke the perfect emotional responses here. Certain melodies during those sections have the correct, nostalgic tone. Borrowed, but not stolen, is the key motif at work. It’s certainly not the most memorable soundtrack, and Luke and Leia do not kiss during it, but there’s still ear porn involved for Star Wars nerds.
