After 1992's Fear of the Dark, an album that, for the last time for another eleven years, hit #2 in the UK, Iron Maiden vocalist Bruce Dickinson left the band he fronted for 11 years. Iron Maiden than began auditioning for new vocalists, both known and unknown. After listening to dozens of tryouts, the band finally selected Wolfsbane singer, Blaze Bailey. I find the changing of vocalists very welcoming, as I am not a fan of the raspy style of singing Bruce used on the previous to albums.
With Blaze, a new era began for the band. It was on the band's first Blaze Bailey album that they began writing what ended up being the precursor to their current day songs. The X Factor, the band's tenth release, featured songs unlike ever heard before on a Maiden record. These songs featured slow, quieter intros courtesy of Steve Harris bass lines, often with Blaze softly singing the first verse over them. The song then becomes heavier and faster resembling the traditional Iron Maiden sound, before the song fades out just as it began. Of course, The X Factor also features short, speedy songs such as Man on the Edge.
The brooding and melancholic music found on this album fits both Blaze's voice and the dark atmospheric lyrics that were written. Song subjects range from the inquisition in Sign of the Cross; to war in songs such as Fortunes of War, The Aftermath, and Blood on the Worlds Hands; to insanity in Man on the Edge, and The Edge of Darkness; as well as many other introspective subjects. Primary songwriter Steve Harris (who wrote or co-wrote 10 out of 11 songs) must have been going through a rough time during the writing of The X-Factor as the lyrics are darker and more negative than they have been on any release prior to The X Factor and since it was released.
An important part of the album is the often criticized Blaze Bailey himself. With his lower vocal range, he may not have been able too sing the old Iron Maiden classics as well as Bruce, his voice was perfect for the new release. His singing fits the melancholic feelings of The X Factor, and he sings with the needed emotion throughout the album. Blaze enhances the album's mood and atmosphere with his lower vocal register, bringing the depressing feelings of the songs to life. The band made an excellent choice picking their new frontman, given the direction the wanted to take. Blaze doesn't disappoint [me] and was very fun to listen to, especially on Sign of the Cross, where he sings "They'll be saying their prayers when the moment comes/There'll be penance to pay when it's Judgment Day" or his performance on The Edge of Darkness, one of the band's best songs from the Blaze era.
Despite the more metallic feel slightly disappearing, guitarists Dave Murray and Janick Gers are still excellent in The X Factor. While I don't like the production on their guitars at all, they work with what they have and churn out some impressive riffs. Catchy, melodic riffs (especially when combined with Blaze's singing) make up for the lack of heaviness. Murray and Gers solo at the right times, adding speed and power to songs. Dave and Janick are best on the opening, 11 minute epic Sign of the Cross, where they spearhead the long instrumental that makes up almost half of the song.
The X Factor was a change for Iron Maiden, and a very important one at that. At over 70 minutes, this album paved the way for future albums of similar length, like Brave New World, Dance of Death, and their upcoming album A Matter of Life and Death. To this very day, the album remains one of the more unpopular Iron Maiden albums, along with Virtual XI. The X Factor is the kind album you either really love or really hate, as it doesn't feature the band's traditional sound. If I could recommend one album to get samples from before purchasing, it would be The X Factor, as it seems to have a mixed bag of supporters and haters. Personally, I really enjoyed The X Factor, its introspective lyrics, and Blaze's singing. That said, I would prefer the band refraining from recording an album similar to this one.
Recommended Songs:
The Sign of the Cross
The Edge of Darkness
Man on the Edge
Lord of the Flies
This was actually the first album I bought by Maiden, which means it was the first time I had ever heard them. A sub-par representation of what they're capable of. Luckily I sucked it up and gave their self-titled a try...and the rest was history.
This was actually the first album I bought by Maiden, which means it was the first time I had ever heard them. A sub-par representation of what they're capable of. Luckily I sucked it up and gave their self-titled a try...and the rest was history.
I agree that it was sub-par by their standards. Their debut to SSOASS is much superior to this.
as for the review, i disagree highly with some of it, although it was fairly well written review,
Fairly well written reviews get negged? :confused:
Any advice then?
Leafs eh...Habs all the way :p
Habs are pretty cool, too. :pThis Message Edited On 08.02.06
I don't think Blaze would be that great on Maiden's older material, his singing in Afraid to Shoot Strangers was ok, but he doesn't really have the voice for Maiden's classic material like Aces High or something.
I know nothing about this album. Is it good even though it is 1995 IM? I say that because their 80's albums were so great.
The X Factor doesn't really come close to topping any of the 80's Maiden albums, but it's easily their best 90's album. You have to let it grow on you, it isn't really all that impressive the first couple listens.
I love Blaze's voice, his solo stuff owns. Very good review, showing how underrated he is.
Thanks, man. I haven't heard any of Blaze's solo stuff. Where's the best place to start?
