Review Summary: A unique work of art, which transcends all genres.
It really frustrates me when people utilize the term 'epic', without really knowing the meaning of the word. You know the type; they'll state something along the lines of, 'that new LMFAO song is epic!' or, 'that sandwich I just ate was so epic!' Here's a revelation for you; neither LMFAO nor your sandwich is 'epic', however if you were to categorize Les Friction's debut self-titled effort under that term, I'd be delighted to agree with you.
Les Friction is the brainchild of Helmut Vonlichten, best known for his work under the banner of 'E.S Posthumus', a classically inspired musical group, whose music became featured in multiple films, television shows and trailers. Following the tragic passing of his brother, Vonlichten recruited Nihl Finch and a vocalist known only as 'Paint' to start afresh with a new musical project. Interestingly, Vonlichten chose not to simply retrace the steps previously walked within ‘E.S Posthumus’; Les Friction forges a distinctly unique path, while still retaining the classically inspired elements which ‘E.S Posthumus’ were best known for.
‘Les Friction’ is an absolutely colossal work of art, and indeed one that’s hard to classify. Although ‘symphonic rock’ is probably the easiest label to apply, it is perhaps not the most fitting description, given the range of sounds and influences to be found on the record. ‘Hans Zimmer’ meets ‘Queen’ is probably an appropriate way to start, however there’s so much more going on. Songs like ‘What You Need’ follow the lines of Snow Patrol styled alternative rock, however executed better than Snow Patrol ever could, while ‘Here Comes The Reign’ channels electronic artists such as Pendulum and Aphex Twin, blending a dark brooding synthetic atmosphere with industrial inspired electronics and guitar seamlessly.
Then on the other hand, there’s the elements carried over from ‘E.S Posthumus’, best displayed in songs such as ‘Louder Than Words’, with chaotic strings, hammering drums and soaring choirs, which contrasts perfectly with the gentle ambiance of the piano led finale ‘Come Back To Me’, which feature a stunning guest performance on vocals by Emily Valentine. All this is tied together with an impressively strong vocal performance by 'Paint' (best demonstrated on opener 'Louder Than Words'), however there's also instrumental versions of all tracks available to satisfy the old fans, which also stand on their own as worthy compositions. Now take all of these components and blend them together, with the grandiose of Muse, the continuity of Pink Floyd and the beauty of Howard Shore. Finally, unite the final product with a conceptual rock opera storyline and you may begin to have some idea of what to expect from this record. Confused? Good. This is very much an album which you’ll have to listen to as a whole to fully appreciate.
See, as much as I enjoyed ‘E.S. Posthumus’, much of their material sounded like it was written as an accompaniment; a worthy one at that, however one best enjoyed alongside some dazzling visuals. Each album did show a change in sound, although within each album, this sound remained the same, meaning it was hard for a certain piece to stand out. And this weakness of ‘E.S Posthumus’ is the strength of Les Friction, which in comparison comes across as music written for the sake of music. Also despite an eclectic range of instruments and styles, it actually conforms to some very standard pop rock sensibilities, making it easier to relate to.
Each song feels connected to the next; however each has a distinct sound and at only nine songs this album never feels like it’s overstaying its welcome. Instead of needing an accompanying film or television show, the music and words create their own story, revolving around the concepts of futuristic travel and alternate dimensions, which ties the whole record together nicely. It’s an album and a sound without equal; and it’s nice to know that just when you think you’ve heard all the music the world has to offer, something like this can come along and surprise you. My advice is to get your best pair of headphones or speakers, put on the album and listen from start to finish.
You won’t be disappointed.
Listen To:
Louder Than Words
Torture
Sunday
