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Vanilla Fudge was one of the few American links between psychedelia and what soon became heavy metal. While the band did record original
material, they were best known for their loud, heavy, slowed-down arrangements of contemporary pop songs, blowing them up to epic
proportions and bathing them in a trippy, distorted haze. Originally, Vanilla Fudge was a blue-eyed soul cover band called the Electric Pigeons,
who formed on Long Island, NY, in 1965. Organist Mark Stein, bassist Tim Bogert, and drummer Joey Brennan soon shortened their name to
the Pigeons and added guitarist Vince Martell ...read more
Vanilla Fudge was one of the few American links between psychedelia and what soon became heavy metal. While the band did record original
material, they were best known for their loud, heavy, slowed-down arrangements of contemporary pop songs, blowing them up to epic
proportions and bathing them in a trippy, distorted haze. Originally, Vanilla Fudge was a blue-eyed soul cover band called the Electric Pigeons,
who formed on Long Island, NY, in 1965. Organist Mark Stein, bassist Tim Bogert, and drummer Joey Brennan soon shortened their name to
the Pigeons and added guitarist Vince Martell. They built a following by gigging extensively up and down the East Coast, and earned extra
money by providing freelance in-concert backing for girl groups. In early 1966, the group recorded a set of eight demos that were released
several years later as While the Whole World Was Eating Vanilla Fudge, credited to Mark Stein & the Pigeons.
Inspired by the Vagrants, another band on the club circuit led by future Mountain guitarist Leslie West, the Pigeons began to put more effort
into reimagining the arrangements of their cover songs. They got so elaborate that by the end of the year, drummer Brennan was replaced by
the more technically skilled Carmine Appice. In early 1967, their manager convinced producer George "Shadow" Morton (who'd handled the
girl group the Shangri-Las and had since moved into protest folk) to catch their live act. Impressed by their heavy, hard rocking recasting of
the Supremes' "You Keep Me Hangin' On," Morton offered to record the song as a single; the results landed the group a deal with the Atlantic
subsidiary Atco, which requested a name change. The band settled on Vanilla Fudge, after a favorite ice cream flavor. "You Keep Me Hangin'
On" didn't perform as well as hoped, but the band toured extensively behind its covers-heavy, jam-oriented debut album Vanilla Fudge,
which gradually expanded their fan base. Things started to pick up for the band in 1968: early in the year, they headlined the Fillmore West
with the Steve Miller Band, performed "You Keep Me Hangin' On" on The Ed Sullivan Show, and released their second album, The Beat Goes
On. Despite its somewhat arty, indulgent qualities, the LP was a hit, climbing into the Top 20. That summer, Atco reissued "You Keep Me
Hangin' On," and the second time around it climbed into the Top Ten. It was followed by Renaissance, one of Vanilla Fudge's best
albums, which also hit the Top 20. The band supported it by touring with Jimi Hendrix, opening several dates on Cream's farewell tour, and
late in the year touring again with the fledgling Led Zeppelin as their opening act.
In 1969, the band kept touring and released their first album without Morton, the expansive, symphonic-tinged Near the Beginning. After
part of the band recorded a radio commercial with guitarist Jeff Beck, the idea was hatched to form a Cream-styled power trio with plenty of
individual solo spotlights. Exhausted by the constant touring, the band decided that their late-1969 European tour would be their last.
Following the release of their final album, Rock & Roll, Vanilla Fudge played a few U.S. farewell dates and disbanded in early 1970.
Bogert and Appice first formed the hard rock group Cactus, then later joined up with Jeff Beck in the aptly named Beck, Bogert & Appice.
Appice went on to become an active session and touring musician, working with a variety of rock and hard rock artists. Vanilla Fudge reunited
in 1984 for the poorly received Mystery album, and have since reunited several more times, though only for tours. Their most recent
incarnation features keyboardist Bill Pascali in place of Mark Stein.
Credit to AllMusic « hide |
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