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To some listeners, this avant-garde Japanese player from the ’70s wins the sweepstakes for the most abrasive saxophone sound in history, an importantcompetition indeed in this genre. With some saxophonists claiming their tone can remove coats of varnish from antiques, cook a 20-pound goose in one hour,or even wound a small rodent at 200 feet, there is no denying the impact of Kaoru Abe (阿部薫) on alto sax; and on clarinet, he hardly harbored ambitions tobe the new Artie Shaw. Unfortunately, his premature death meant he never lived to see the heyday of Japanese avant-garde music, nor enjo ...read more
To some listeners, this avant-garde Japanese player from the ’70s wins the sweepstakes for the most abrasive saxophone sound in history, an importantcompetition indeed in this genre. With some saxophonists claiming their tone can remove coats of varnish from antiques, cook a 20-pound goose in one hour,or even wound a small rodent at 200 feet, there is no denying the impact of Kaoru Abe (阿部薫) on alto sax; and on clarinet, he hardly harbored ambitions tobe the new Artie Shaw. Unfortunately, his premature death meant he never lived to see the heyday of Japanese avant-garde music, nor enjoy the prestige histype of abilities on saxophone might have garnered him as the interest in free jazz increased in the ’90s. He also never held at least half of his releases in hishands, since some of the best material from this player was only released in the years after his death. « hide |
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