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Reviews 7 Approval 100%
Soundoffs 26 Album Ratings 444 Objectivity 67%
Last Active 04-02-13 8:02 am Joined 05-17-11
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| The Holy Trinity of Risecore
Risecore is a somewhat derogatory term for bands who released music on Rise Records in the mid 2000s to early 2010s. It was applied mostly to metalcore bands that basically took the blueprint of Attack Attack's "Stick Stickly" and printed copies of that shit like dollar bills from the proverbial money tree. Synth laden crabcore breakdowns and sing along choruses repeated ad nauseum until the style quickly became a parody of itself. I personally have a huge soft spot for this kind of music. Asking Alexandria's first album in particular was hugely influential to my life, and even though I don't think that album aged well, it singlehandedly introduced me to the world of metalcore and made me a fan for life. For all the shit that people give risecore bands, I think their accessible approach to heavy music did a lot to bring new fans into the fold, and ultimately bolster the health of the alternative music scene more than people give them credit for.
Despite the brain mushing mundanity of this particular scene, there were a few standout Rise bands from that era that I think got unfairly lumped in with the rest of the crowd. Real ones know what's up, but the average person might not be able to discern these acts from the rest of the roster. These bands broke the mold by pushing the boundaries of the formula and experimenting more with atmosphere and vibes. Unsurprisingly, these bands are all connected in a way. After Of Machines drowned in a gofundme scandal and Oceana morphed into an electronic indie band named Polyenso, members of both bands joined forces to form Lead Hands. Finding this out years after being a fan of all three was mind blowing but also like... a big "no shit sherlock" moment. | 1 | | Of Machines As If Everything Was Held In Place
Of Machines has possibly the saddest tale of tale of the bunch. This band had all the right ingredients and so much potential that was squandered by poor band relations and a singer that allegedly ran off with the GoFundMe donations that was supposed to fund their next recording. As If Everything Was Held In Place would still go down as a celebrated landmark in the genre, garnering a cult following where everyone who knows it seems to love it. This whole band was great but the quality that really elevated them was the combination of Dylan Anderson’s knack for crafting beautiful vocal melodies, and super clean guitar leads drenched in reverb and delay walking all over the album with a gentle stride. | 2 | | Of Machines As If Everything Was Held In Place
I wouldn’t say Anderson’s vocals are that unique in sound, but he has a sense of power and control that is really hard to achieve with such a high range. It’s impressive. The contrast between the soaring atmospheric leads over breakdowns and Bennet Freeman’s screams also creates a hypnotic dichotomy that is impossible to not grab your attention. They don’t just rely on cheap tricks to sell their music either. Underneath the pretty leads and impressive vocal performances is just solid song writing that encapsulates moments of serenity and passion with effortless style. | 3 | | Oceana Birth.Eater
Oceana had a more average career but was nonetheless riddled with member changes and major shifts in sound direction. Their first album was honestly fantastic, but it wasn’t until they got a new vocalist and doubled down on the atmosphere that they really came into their own. One of my absolute favourite things about this album is Brennan Taulbee’s voice. He utilizes a more subdued range than a lot of other singers in the scene, but he has this immaculate quiver to his voice that makes him sound like he’s trembling while confessing sins from the altar. It’s uniquely addicting, and if I ever did clean vocals in a band, he would be my number one inspiration. His harsh vocals are also deafening, and when combined with Jack Burns tasteful guitar riffs, they create haunting vibrations that you can feel in your bones. | 4 | | Oceana Birth.Eater
The vibe of this whole album is oppressive and you can feel it from the first few seconds. It’d sad, it’s angry, it’s depressing, and the fantastic production work really conveys these feelings with a staggering clarity. The lyrics are another story, and as I’ll admit that I had no idea what they were singing about when I initially fell in love with this album. Oceana was comprised of some young christian boys who thought they were fighting the good fight, and they essentially created an anti-abortion concept album (birth eater… duh). Most of the lyrics are penned from the perspective of an unborn child, angry at the world for taking away his chance at life. I’ve had to do a lot of mental gymnastics over the years in order to keep enjoying this album, because the music is just too fucking good. The lyrics on their own are actually quite good too if you completely remove and ignore the context, and I think - for the most part - they did a good job at leaving the lyrics vague enough. | 5 | | Oceana Clean Head
After this album, the band went through a major stylistic change. They dropped the screaming and the breakdowns, cleaned up their tones and wrote an EP that was much more light hearted and non controversial, albeit still spiritual in nature. The Clean Head EP is honestly some of their best work, and I will go to my grave wondering what would have happened if the band followed it up with a whole album in the same style. It probably would have ended up in my top 5 albums of all time. Jack's guitar playing is so creative and impactful. Brennan's lyricism and vocal delivery is phenomenal. Denny Agosto's drum work dances around with a gentle intricacy that never fails to make my ears perk up. This EP is a spiritual experience whether you believe in a god or not. | 6 | | Lead Hands Lead Hands
Lead Hands was a post hardcore band born from the ashes of Oceana and Of Machines, and their existence was much more similar to the latter. They released one fantastic album before squandering their potential in a battle of interpersonal and financial dramas. This band saw OG Oceana screamer Keith Jones teaming back up with guitarist Jack Burns, Of Machines drummer Brent Guistwite, and VeraEmerge vocalist Spencer Pearson (who sounded quite like a dreamier version of Dylan Anderson). | 7 | | Lead Hands Lead Hands
This band took the heavy, moody riffs of Oceana and the atmospheric leads of Of Machines and then cranked up the ambiance and slowed everything else way the fuck down. Lead Hands is heavy, but it's also soft and pretty. How they managed to do both so well is still a wonder to me. Guitars are tuned to drop B, but they are played clean, and only have a bit of overdrive during the heaviest parts. Riffs plod along methodically and every major shift in dynamics feels intentional, like a seed planted in the earth and given time to grow. They really tried to trim the excess here and approached the writing with a less is more mindset. This album can be an atmospheric slow burn and has been criticized for it's monotony, but I think it's beautiful. It can easily fade into background noise if you aren't paying attention, but it's intricacies blossom with repeated listens and it becomes very rewarding over time. God only knows how good a sophomore from this band could have been. | |
artificialbox
03.11.24 | disclaimer: just my opinion. these bands don't all fit the mold of risecore but that's kind of the point. | Scoot
03.11.24 | that one memphis may fire album | artificialbox
03.11.24 | I’m gonna have to expand this to the Holy Quintuplet of Risecore some day | Scoot
03.11.24 | the jarrod alonge has them all in row lol | GiaNXGX
03.11.24 | Hol-up am i crazy or isn’t lead hands the same as decoder? Always known them as decoder, some mandela effect
Edit: nvm just looked up, they were forced to change name | Manatea
03.11.24 | Huge fan of birth.Eater. Could somehow never get into Of Machines unfortunately | Mort.
03.11.24 | yeah Lead Hands remains one of the best albums to come out on rise records, along with Fear Befores first record and the better DGD albums | FearThyEvil
03.11.24 | Much prefer what Oceana has been doing as Polyenso but it is depressing to know they haven't done anything in 8 years | artificialbox
03.11.24 | Haha I never really liked anything Polyenso did until they released that song Pocket Knife Shadow in 2021. I really liked that one. I should probably give them another chance simply because I love Brennan’s voice so much. | Beardog
03.11.24 | Haven't heard any of these bands lol
Hands Like Houses' Unimagine is my favourite Rise Record | botb
03.11.24 | The Receiving End of Sirens - between the heart and the synapse and moving mountains - pneuma are pretty much all you need in this vein IMO. Oceana was pretty good though compared to most of the other bands of that era | artificialbox
03.11.24 | Beardog you can skip the clean head EP but I’d at least check out a song from each of these albums. you might like em. | artificialbox
03.11.24 | also, I’ve tried getting back into that TREOS album multiple times over the past year and can never make it through the first 2 songs before turning it off. It’s weird cause I remember really liking it when I was younger. Gotta keep trying I guess. | Beardog
03.11.24 | Aight, will put them on the list | artificialbox
03.11.24 | it’s honestly hard to pick a single song from each of these, but to make it easy I’d check
Oceana - Dead Speaker
Of Machines - Lost In Translation
Lead Hands - Dreamwalker | Beardog
03.11.24 | Nah I'll just put track 1 on of each record and see if I listen out the full album haha | artificialbox
03.11.24 | thats very real of you I respect it |
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