Thanatopsis
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Last Active 04-01-10 6:49 pm
Joined 03-16-10

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 Lists
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03.19.10 What I'm Looking Forward To In 2010

Opeth Albums Ranked

Opeth has been around nearly as long as I have (and haven't put out a bad track, let alone album, ever), and in anticipation of their 2011 release combined with my lack of activity here in a long while, I am ranking their releases. Inevitably, a bunch of people will disagree, but I really don't care, so comment away.
1Opeth
Blackwater Park


Every track stands on its own two feet (save for "Patterns in the Ivy", which is only supposed to be an interlude anyway), and yet flows so well with the mood of the album. The subtle contributions from Steven Wilson also really distinguish the record, and album-closer/title track "Blackwater Park" is the best track Opeth has written to date.
2Opeth
Deliverance


What is probably Opeth's heaviest album is also one of their best. "Master's Apprentices" sounds positively evil at times, the title track's syncopated clean vocals are ethereal, and the lone "soft" song "A Fair Judgment" has some of Opeth's jazziest moments.
3Opeth
Ghost Reveries


This was my first Opeth record, and remains one of my favorites. Opeth was my first "heavy" band, and I was shocked at their changing dynamics. "Ghost of Perdition", "Reverie/Harlequin Forest", and "The Grand Conjuration" showcase what Opeth are all about perfectly, but it was the softest song, "Hours of Wealth", that really sold me on them. It is truly a beautiful piece.
4Opeth
Still Life


Still Life seems to be the album that most Sputnikers show love for, and for good reason, it is an excellent album. There are a surprising amount of clean vocals for its place on the Opeth timeline, and, again, all songs are excellent. "Face of Melinda" stands out for its jazzy mood, and the story Mikael has penned for the album births some of Opeth's best lyrics. The beginning of "The Moor" seems a little unnecessary, but otherwise no filler is present.
5Opeth
Watershed


Opeth's venture in a more progressive, 70's-prog rock direction pays off excellently for them. The duet on "Coil", which must be one of their shortest songs (not counting interludes/intros/outros), is breathtaking. "Burden" is one of their most out-there tracks, but is also one of my favorites. "Hex Omega" ends the album perfectly and does a great job summing up this chapter in Opeth's career. The only issue I can take with the album is that some of the transitions don't work as well as they have in past albums.
6Opeth
Morningrise


I really enjoy this album because of the black metal vibe I get from it. I am actually not a big fan of black metal, but the overall sound of the album sounds like black metal, and when Opeth does it, I love it. This is probably their most challenging listen because of the sheer length of the tracks and the scarcity of clean vocals. Tracks such as "The Night and the Silent Water" and "Black Rose Immortal" are very rewarding, given the investment.
7Opeth
My Arms, Your Hearse


Another release that really has a lot going for it in the lyrics department. I'm a big fan of concept albums, and Opeth has created another good one here. I especially like the way the lyrics of one song transition to the title of the next; sure, it's a bit gimmicky, but it works wonderfully here. Obviously, "Demon of the Fall" is a huge standout, but "When" and "The Amen Corner" are not to be overlooked.
8Opeth
Damnation


As much as I love Opeth's clean sections, when they aren't juxtaposed with their death metal elements they don't seem as remarkable. Nonetheless, Damnation is filled with wonderful, soothing melodies sung (and played) flawlessly by Mikael. The remarkable thing about this album is that Opeth creates "heavy" acoustic songs, and there are few things as badass as that.
9Opeth
Orchid


Opeth's first release is also their weakest, but don't let that talk you into skipping it. Sure, the track titles such "Under the Weeping Moon" and "The Twilight is My Robe" are pretentious, but the songs contained therein are grade "A" material; sadly for Orchid, Opeth grew by leaps and bounds making what would be an excellent release for any other band get lost in the shuffle. Interestingly, the standout track here is "Silhouette" a piano piece that sounds as though it was inspired by Hell itself.
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