AlonsoHarris: Tell Me How You Feel In 1 Word

Trebor. 12.01.11	dubstep has been around since like 99
Trebor. 12.01.11	shit
Blackbelt54 12.01.11	lethargic
Trebor. 12.01.11	I like From First To Last
Idnuf 12.01.11	done
coneren 12.01.11	erect
Trebor. 12.01.11	frisky
Trebor. 12.01.11	erotic
MO 12.01.11	Lets get dev in here
AlonsoHarris 12.01.11	Hamboned
Acanthus 12.01.11	horny
taxidermist 12.01.11	Awesome.
coneren 12.01.11	mexican
Tyrannic 12.01.11	curious (as to how this thread is going to turn out) i half and half agree with you about the dub. I enjoy skrillex just for the club music, or to get a crowd moving. but the older style is (i'm increasingly finding) fucking amazing. people just get protective of their scenes, you know?
Trebor. 12.01.11	gay
InAbsentia 12.01.11	Despondent
AlonsoHarris 12.01.11	Benga is dubstep that is good. Jazzsteppa is also fucking amazing.
manicmonkey 12.01.11	urine
Dday 12.01.11	Froggy
Trebor. 12.01.11	It's just like when Fugazi fans first heard something like From First To Last they were probably like what the fuck is this shit Or guys who grew up on Botch and hear Attack Attack! and are like what the fuck happened to my beloved metalcore?
PayneTiger777 12.01.11	bamboozled
AlonsoHarris 12.01.11	I know but its not like when I heard Trust Company i was like "Whats happening to my Nu-metal?!" I moved the fuck on, dubstep is awesome but a lot of people thought disco was too, and where is that now?
Acanthus 12.01.11	Brostep is a good tag, as it represents well those who hear the club friendly/club popular drops and then go blast it all over town. Wednesdays in my town are host to about 3 or 4 dubstep nights, and the same mixes are played at each venue. The people can enjoy Benga, but the DJ's really like playing other artists as the younger generations have come to expect such. imo
AlonsoHarris 12.01.11	to me the reason a lot of newer dubstep sucks is because it's not really an american born genre of music. and when I said dubstep had been around for 5 minutes I meant in strong prevelance like it is today.
Trebor. 12.01.11	America always takes 10 year old electronic genres from Europe and shits on them
RooseveltsGhost 12.01.11	RIDE THE WINGS OF PESTILEEEEEEEEENNNCCEE
Trebor. 12.01.11	EVEN IF I SPENT 2004 LISTENING TO MORISSEY IN MY CAR I'M BETTER OFF ALONE THAN I WOULD BE IN YOUR ARMS
Tyrannic 12.01.11	acanthus- where are you living? i'd love a dub-bar
pizzamachine 12.01.11	tired
Aphrodisiac 12.01.11	lugubrious
ZilbelPing 12.01.11	Confused (not Sputnik related) ...oh and hungry
KotoFtw 12.01.11	HOW DO I ADDRESS A LETTER TO MY GENERATION? "SONNY," SHE SAID, "SAVE YOURSELF THE POSTAGE."
Trebor. 12.01.11	DEAR DIARY MY TEENAGE BULLSHIT HAS A BODY COUNT YEAH
Trebor. 12.01.11	Emily is one of my favorites songs to play on guitar
Divine 12.01.11	pretentious
InAbsentia 12.01.11	Don't we all?
qwe3 12.01.11	qwe
ilikeforests 12.01.11	hydrated
Scoot 12.01.11	bom
IAmHollywood 12.01.11	erect
Deviant. 12.01.11	"America always takes 10 year old electronic genres from Europe and shits on them" LOVE
TomArnoldsArmpit 12.01.11	scrumtrulescant
North0House2 12.01.11	Obama.
Spec 12.01.11	drunk
TMobotron 12.01.11	Holy fuck this list is dumb. You've been into dubstep for 5 minutes (= 3 years?). ALREADY music snobs have found a way to punish anyone who has found success? First off, 3 years would be a long ass time, but dubstep hasn't only existed while you were aware of it. But it doesn't matter over what time frame people have mis-represented the genre. It has never been about the popularization of any of these artists or their "commercial success". If DMZ, Burial, Loefah, Distance, Joker, Goth- Trad, Kromestar, Kryptic Minds, etc. would have gotten commercial success, I would have been absolutely fine with it. We don't hate the commercially successful dubstep artists BECAUSE they're commercially successful. We hate them because they had to dumb down the genre so that it COULD BE commercially successful. It's the same pattern that goes for hip-hop, pop, alt rock, etc. People don't hate eminem's latest album because it's commercially successful. The MMLP was commercially successful. We hated Recovery because it had to dumb down his style to a simplistic forced "angry" sound with poppy choruses from guests like Rihanna.
Slum 12.01.11	taking genres seriously
RooseveltsGhost 12.01.11	he probably did that so he could fuck rhianna
FromDaHood 12.01.11	deflated
Tupik 12.01.11	good