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Count Bass D
Dwight Spitz


4.0
excellent

Review

by O.J. Simpson USER (17 Reviews)
April 24th, 2010 | 15 replies


Release Date: 2002 | Tracklist


I can’t even lie to the readers, I heard of Count Bass D the exact same way that everyone else did. Through one of MM… Food?’s biggest highlights in the form of “Potholderz”, we saw an MC who could hold his own with DOOM, bouncing a weird-ass flow and bizarre rhyme schemes, and mechanizing a beat with some of the grooviest bass lines out there. It was the closest thing to G-Funk DOOM would ever ride, and probably one of the best songs in his catalog. Through that, I heard of his album, Dwight Spitz, and assuming it would be sort of similar to the instrumental and lyrics of “Potholderz”, I bought it. Now I realize it’s not as good as “Potholderz”, it’s beyond it.

Count Bass D’s love for exotic funk and bass lines is continued on Dwight Spitz, but it’s much more psychedelic here. The production is very odd, fragmented MPC sampling and hard hitting drums that at first represent 90s New York rap, but goes into their own bizarre tangents. Songs range from a couple of seconds to over three minutes, jaded and made into songlets in the same way that Madvillainy would be. The beats sort of weave into each other, soothingly dissolving into dream-like motions, once in a while interceded with vocal samples in the same way Premier would, albeit altered in a way that fuses it to Count D’s own obscure agenda.

That being said, The Count really doesn’t rhyme that much on here. Dwight Spitz doesn’t really give much room for his underrated rhyming abilities, instead sweeping funk samples and guests run across the album, doing his production justice. Despite that, Count Bass D still sounds excellent. He’s just as flat out weird as DOOM, at places sounds a bit like GZA, and remains kind of conscious of his surroundings and introduces street-ness despite that. Count Bass drops some really good rhymes whenever he appears (“Three Loves Three hearts, let’s smoke together then Wine all night/ rhyme not fight/ love him, not Dwight”), but his lack of appearances is not much of a factor.

In fact, the guests aren’t really that much of a big part (although DOOM’s solo song is epic). They are just pieces of Dwight Spitz sound. Listening to individual songs off this is like listening to 30 second snippets of a regular song, just something not to do. Dwight Spitz is album for an album lover, something increasingly rare in hip hop. That’s why 2002’s Dwight Spitz is a record worthy of your attention.



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user ratings (30)
3.9
excellent


Comments:Add a Comment 
O.J. Simpson
April 24th 2010


408 Comments

Album Rating: 4.0

It is, that's why i love it.

foxblood
October 18th 2011


11263 Comments

Album Rating: 4.0

jussa playa

oltnabrick
November 21st 2012


40773 Comments


very good!

oltnabrick
August 27th 2013


40773 Comments


Seriously.


Phlegm
May 15th 2014


7250 Comments


Seriously.

oltnabrick
May 15th 2014


40773 Comments


http://postimg.org/image/bwquygdk9/

ZombicidalMan
September 5th 2014


2476 Comments


this is so good

130Legend
March 8th 2015


4 Comments

Album Rating: 4.0

Just gave this a quick listen for the first time and this is real fucking nice. But the final track having that massive gap for the bonus track is annoying :/

NeroCorleone80
July 28th 2016


34618 Comments

Album Rating: 3.5

Rules so hard

NeroCorleone80
December 1st 2016


34618 Comments

Album Rating: 3.5

Get on this sput

frigyourgenre
April 10th 2017


4461 Comments

Album Rating: 4.5

ducking rules

frigyourgenre
August 3rd 2017


4461 Comments

Album Rating: 4.5

dnt sleep

frigyourgenre
December 27th 2017


4461 Comments

Album Rating: 4.5

... ...

dmoz47
January 16th 2020


6 Comments

Album Rating: 4.0

One of my favorite albums of all time! Great job breaking down what makes the record so great.

foxblood
February 11th 2023


11263 Comments

Album Rating: 4.0

slept on unfortunately



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