Fennesz
Venice


4.5
superb

Review

by robertsona STAFF
December 17th, 2010 | 75 replies


Release Date: 2004 | Tracklist


Venice, it says: it’s a boat, on the water, alone except for another boat. Perfect Tumblr material; this is gold: do I hear (or, you know, see) a Wikipedia featured picture? Venice. Fennesz. It’s so nice, isn’t it? This is the city that Christian himself, this laptop geek, this liquid individual, probably couldn’t believe wasn’t already taken after he flipped his Times Atlas of the World: Comprehensive Ed. to a random page and closed his eyes and stuck his finger on the page and peeked--if he didn’t like it, he could switch. But, oh! Venice. He got it and stuck with it, that water-city; nice place, I’m sure. Cover deserves a boat. Blue on blue. Perfect. Anyone can agree: hipster photographers, ambient music fans, Venetians themselves.

“Château Rouge” is the second track on the album but it’s the first that implodes. Right there, at that 1:58 mark, it reveals its insides; it is a ball of lightning. “Château” is the electrifying taste of orange juice pulp that wakes the eyes and jolts the body and brings its pulsing radioactivity inside you. It is the sun floating through and on top of passionate rectangular patterns projected onto pillows and sheets, and then it is back to the river and here are these boats. This is “pop” music smashed with a hammer and pieced together lovingly as a sculpture with more than a few visible cracks in it; it is also “crackle” and “snap” music. It is rigid yet amorphous and hidden melodies and hooks are everywhere, buried under mechanical static and dings and boops and clicks; this is pop music from the future but so far in the future that these two boats are somewhere else. They are at the bottom of the sea or in space or half-sunken in the sands of a barren desert. Luckily, they were salvaged and repainted and now here they are, solitary and blue. “Château Rouge” travels a billion years in six minutes and then reports the results back here, now, where these boats and this river and Venice itself are still a possibility.

“City of Light” is waves of sand, in slow motion, everywhere. It is the moment at the end of the log flume where the water forms a translucent dome around you, paused and taken in and then expanded infinitely in both directions; do you hear me now? These waters are not as calm as they may seem, but Fennesz nevertheless presents them as such because we can all agree on these two boats here in still water--a universal appeal, so to speak. That is Venice, but then the interior of the album is something else. It reaches inside your brain via your throat and pulls out memories and diffuses them into whole landscapes and lets you explore them: this is you, and it’s yours. This is a scary thought but also a necessary one.

David Sylvian, on “Transit”, is a robot. What is he saying? There is something about “Europe” in between the jarring, sour chasms of pure squish (like water being forcibly squeezed out of a sponge), but this is not our voice, nor is it his; he is an android dreaming of electric sheep at best. Is he the voice of reason or is he pretending? More importantly, does this voice, cutting through the jagged sheets of computer sounds with a pair of weathered scissors, disturb the climate? Sylvian’s voice is distinctly sad and the song and Fennesz and you and I all know it and we all watch as he slowly drowns in the bathtub and the rest of the album again goes vocal-less. Where is he now? He is with the boats but also below them and in their same state of ruin; he is the voice from forever in the future and he is now where he belongs: buried beneath rivers of sand.



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user ratings (137)
3.8
excellent
other reviews of this album
Zebra (3.5)
...



Comments:Add a Comment 
robertsona
Staff Reviewer
December 18th 2010


28200 Comments

Album Rating: 4.0

yep

Observer
Emeritus
December 18th 2010


9466 Comments


wish i could enjoy fennesz more...

unique, interesting, and well-written review. Enjoyed reading.

Enotron
December 18th 2010


7695 Comments


liked black sea, suppose i should get this

robertsona
Staff Reviewer
December 18th 2010


28200 Comments

Album Rating: 4.0

i havent really given black sea a -good- listen but i prefer this to endless summer if that helps

robertsona
Staff Reviewer
December 18th 2010


28200 Comments

Album Rating: 4.0

groes

qwe3
December 18th 2010


21836 Comments


yeah i like this a lot. havent spun it in awhile bad qwe

robertsona
Staff Reviewer
December 18th 2010


28200 Comments

Album Rating: 4.0

bet these words look like normal words

liledman
December 18th 2010


3828 Comments

Album Rating: 3.5

just remembered i have this, need to listen

JustJoe.
December 18th 2010


10944 Comments


*puts at top of listening queue*

MassiveAttack
December 18th 2010


2754 Comments

Album Rating: 3.5

This was a good album, but I still got a lot of love for Black Sea.

ConsiderPhlebas
December 19th 2010


6157 Comments


Ace review

FistfulOfSteel
December 19th 2010


898 Comments


prefer endless summer to this just slightly, but gotta love this guy

sadsquid
August 17th 2014


24 Comments

Album Rating: 4.5

The Point of It All is amazing

Phlegm
August 17th 2014


7250 Comments


i need to check out more albums from 'Fennesz', i heard Becs from this year and had mixed
opinions : ~|

what should i listen to next?

sadsquid
August 19th 2014


24 Comments

Album Rating: 4.5

Endless Summer is his most well known album, and it's generally considered to be his best. Give that a go.

Kman418
August 19th 2014


13271 Comments

Album Rating: 4.5

endless summers very enjoyable yeah

Kman418
March 2nd 2015


13271 Comments

Album Rating: 4.5

transit is probably the best fennesz song

Yotimi
March 2nd 2015


7668 Comments

Album Rating: 4.5

Chateau Rouge is def my fav

Phlegm
March 2nd 2015


7250 Comments


i find his music hard to approach unfortunately

Yotimi
March 2nd 2015


7668 Comments

Album Rating: 4.5

This is fairly accessible if u haven't heard it yet. The melodies aren't buried in quite as much static



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