I'm really glad I ended up hearing The Colour In Anything before in heard 200 Press, because I would've been going into the former album nervous as all get out. This EP in retrospect is James Blake simply tinkering with sample-based dubstep and future garage, but none of it really goes anywhere interesting, which is a detriment especially when the material bases itself from some questionable samples. It's not his best EP by a long shot, and given that his EP's aren't that great to begin with (with the obvious exception of Enough Thunder), it's all the more damning.
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