| | | Ratings (2) |
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| 3.5 great | Alabaster Jones | June 30th 16 |
This is a direction that I didn't foresee Deniro Farrar going towards. His style has always been relaying stories of the hardships of the streets, and introspections about himself henceforth, over slightly cloudy trap production, but here it's different. The production has changed to be much more mellow, less hard-hitting, and much smoother. It fits that his lyrical content, while still containing much of what he rode with before, has a distinct sense of nostalgia and longing for the better days. Looking at the album cover, there are two Deniro Farrar's, and it seems as if the Deniro Farrar we're hearing here is the one seated, whereas the one crouching is the Deniro Farrar heard on Rebirth and The Cliff Of Death. It's an interesting dynamic to say the least, and if this idea and his two styles were ever put to war on each other during a full-length project, it'd undoubtedly be a phenomenal listen.
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| 4.0 excellent | Hep Kat | October 23rd 17 |
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