More serious, more active, better beats than Qui seme le vent recolte le tempo. Claude didn't let go of his occasional humour, but uses it more sporadically to have greater impact. The sound is this time part Native Tongues, part what will become the French Touch: it's still very jazzy, but there is an increased use of house mixing. It allows the jazz and soul samples to not sound old-fashioned, having a certain ethereal aura to them. This is also the best Solaar has ever sounded on record: he's full of references and plays with words with a literary flair. So yeah imma repeat myself but: jam this if you dig the Native Tongues.
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