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04-26 Journey's You Got the Best of
02-16 Journey Announce Freedom
06-24 Journey Release New Single
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Journey's story begins in Northern California with guitarist Neal Schon, a child prodigy who dropped out of high school to join Santana just
prior to the San Francisco band recording its third album. Schon, while in high school, had been jamming with Santana keyboardist Gregg
Rolie, who ultimately would follow Schon into Journey.
The union of Santana and Schon was short-lived, but in that time period, Schon would meet a man who believed that a band formed around
his guitar work would be a viable entity. When Schon left Santana, he explored the idea of a power trio with two former mem ...read more
Journey's story begins in Northern California with guitarist Neal Schon, a child prodigy who dropped out of high school to join Santana just
prior to the San Francisco band recording its third album. Schon, while in high school, had been jamming with Santana keyboardist Gregg
Rolie, who ultimately would follow Schon into Journey.
The union of Santana and Schon was short-lived, but in that time period, Schon would meet a man who believed that a band formed around
his guitar work would be a viable entity. When Schon left Santana, he explored the idea of a power trio with two former members of Sly and
the Family Stone, drummer Greg Errico and bassist Larry Graham. Playing funk, however, limited Schon's amount of soloing, which prompted
him to look for another musical vehicle. Walter "Herbie" Herbert, a guitar tech for Santana who had added management duties to his job,
approached Schon in early 1973 about forming a guitar-centric band. Herbert has said Schon was, quote, 'the quintessential guitar
expressionist of the time', and to further his career, Herbert connected Schon with two members of the popular local act Frumious
Bandersnatch, former Steve Miller Band bassist Ross Valory and guitarist George Tickner. They enlisted drummer Prairie Prince, a member
of the Tubes, and the all-instrumental act began performing as the Golden Gate Rhythm Section.
They developed a local following, one that was strong enough for San Francisco FM station KSAN to hold a contest to see if a better name
could be given to the GGRS. The contest yielded the moniker Journey. New name in place, Rolie joined the band in the summer of 1973. The
first edition of Journey developed a largely instrumental progressive rock sound. The first change in personnel came in early 1974 when
Aynsley Dunbar, a British drummer who spent time in the bands of Jeff Beck, Frank Zappa and John Mayall, took the place of Prince, who
decided to stay with the Tubes.
CBS/Columbia Records signed that lineup in November 1974, but by the time "Journey," their debut album, was released, Tickner had left to
attend medical school. Tickner, whose compositions were the backbone of Journey's earliest repertoire, was not replaced, making the band a
single-guitar outfit.
Each of the band's first three albums - "Journey" (1975), "Look Into the Future" (1976) and "Next" (1977) - charted higher than the
previous release. And the band maintained a grueling touring schedule, staying on the road nine months per year performing music that
Schon has referred to as "a rock and roll version of the Mahavishnu Orchestra." But sales were not as strong as the label had hoped and the
band was asked to hire a full-time lead singer. (Rolie had handled vocals from behind his keyboards).
The first vocalist brought in was Robert Fleischman, who joined the band for a summer tour in 1977. While his songwriting contributions to
the band included, Wheel In The Sky, and Winds Of March, personality clashes resulted in Fleischman promptly leaving the band. A young
drummer and singer, Steve Perry, who had contacted Herbert several times, also received an endorsement from CBS, leading to him being
tapped as Journey's new lead singer in October 1977. Not all of the members were sold on the idea of bringing the singer into the fold. But at
their first meeting, in a hotel room, Schon and Perry collaborated on what would eventually become the song Patiently.
Roy Thomas Baker was hired to produce their fourth album - and first with Perry - "Infinity," which quickly went platinum after its release in
April 1978. The album remained on the charts for more than two years, peaking at No. 21, and would ultimately sell 3 million copies. In
September 1978, Steve Smith, who had been a member of several hard rock and jazz-fusion bands, replaced Dunbar, who had joined
Jefferson Starship. Evolution, which would become their second million-selling album, was released in May 1979. In October, they scored
their first top 30 single with Lovin, Touchin', Squeezin'. Maintaining a torrid pace in the studio as well as on the road, it was only 11 months
later that the band registered their first top 10 album. Departure, which featured the leadoff single, Any Way You Want It, reached No. 8 on
the Billboard album chart. A live double album, Captured, followed, becoming their fourth consecutive disc to go platinum.
Before the band returned to the studio Rolie departed, replaced by Jonathan Cain of the Babys. Adding Cain to the songwriting mix with
Schon, Perry and Valory would result in Journey scoring the biggest hits of their career. "Escape," released in September 1981, was the
bands first No. 1 and would eventually be certified 8 times platinum, spending more than a year in the top 40. That album produced three of
the best -known songs in the Journey canon: "Don't Stop Believin'," which hit No. 9; "Who's Crying Now" (No. 4); and "Open Arms," which
spent six weeks at No. 2 in 1982. While Dont Stop Believin would have its place in the sun years later as the final song on HBOs The
Sopranos and as the theme song for the Chicago White Sox on their way to the 2005 World Series, at the time of release Open Arms
ushered in the power ballad into American pop music. The first songwriting collaboration between Cain and Perry, it quickly became the
band's signature song at the time and would years later be covered by Mariah Carey.
Their popularity soaring, Journey became the first rock band to inspire a videogame. In the early 80s their concerts were visual spectacles
as they revolutionized the use of big screens and computerized lighting systems. And with the advent of MTV, Journey's star only continued
to rise. One of the few 1970s rock bands to successfully make the transition into the video age, the follow-up to Escape, Frontiers, sat at
No. 2 on the Billboard album chart in the spring of 1983. The album that kept them from the top slot was Michael Jackson's Thriller, the
biggest selling album of all time during the vinyl era.
During this period, Schon and Perry opted to do solo projects as well. Schon reunited with keyboardist Jan Hammer; (they had made an
album together in 1981) to record Here to Stay and made a live album, Through the Fire, with Sammy Hagar, Kenny Aranson and former
Santana percussionist Michael Shrieve. While Schon was experimenting with styles that did not fit within the Journey sound, Perry released
the commercially targeted album "Street Talk." Between 1983 and 1986 the band landed seven top 20 hits, among them "Separate Ways
(Worlds Apart)" and "Girl Can't Help It." In early 1985, their track for the film Vision Quest, "Only the Young," hits No. 9 as the band
members decided to relax their schedule. A year later, Schon, Cain and Perry returned without Valory, using studio musicians on "Raised on
Radio" with the exception of Steve Smith, who played on 3 of the tracks. It hit No. 4, spending almost seven months in the top 40, and the
band toured with bassist Randy Jackson, who would years later become a judge on "American Idol," and drummer Mike Baird.
The group disbanded in 1989, seemingly for good, as Schon and Cain created Bad English with John Waite while Valory, Smith and Rolie
joined the Storm. In 1993, the band reunited, sans Perry, for a Bay Area concert honoring their former manager Herbert. Perry, Schon, Cain,
Smith and Valory reunited one last time for 1996's Trial By Fire. The dozen songs on the album were written in just two weeks. It opened at
No. 3, yielded the Adult Contemporary hit single "When You Love a Woman," which would garner the band their first Grammy nomination, and
a 25-date tour was booked. Perry moved to Hawaii to get in shape, but while there he developed health problems and was eventually told he
would need a hip replaced. The tour never took place and with no fanfare, the members of Journey went their separate ways.
Ultimately, Schon, Valory and Cain decided the band would forge ahead. Steve Augeri was brought in as lead singer and Dean Castronovo, a
member of Bad English, replaced Smith on drums. (Steve Smith opted to continue with his solo career as a recording artist and band leader,
forming the band Vital Information). Their first recording as Journey was Remember Me for the Armageddon soundtrack. Arrival, Journey's
11th studio album, was released in April 2001.
A 30th anniversary tour followed the release of Generations in 2005. The tour featured shows that were more than three hours long and
included material from every phase of the bands career. A year later, Jeff Scott Soto replaced Augeri, whose time in the band was cut short
due to a throat infection. Sotos tenure was short-lived and in 2007, Journey tried a variety of ways to land a new singer. After two days of
watching videos on YouTube, Schon came across a video featuring Arnel Pineda performing with a Filipino cover band in the Philippines and
had his management book him for an audition in the States. Within just a few songs he had secured the job. Pineda made his debut with the
album Revelation, which was sold exclusively at Wal-Mart outlets and was certified platinum within several months of its release. More than
700,000 fans saw Journeys 2008 tour with Pineda as lead singer. After seven months on the road with Journey, Pineda told the media in
Asia, quote, This is the best job in the world and as long as my band mates will let me rock with them, I will keep singing with Journey.
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