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| February 2018 resumé
Here is the stuff RELEASED in February 2018 I didn't get to review. Score guide: 10/9 - 5; 8 - 4.5; 7 - 4; 6 - 3.5/3; 5 - 2.5; 4 - 2; 3 - 1.5; 2/1 - 1 | 1 | | Everything Everything A Deeper Sea
Two original b-side songs, one of which is a real banger. One moderately harmless remix. One fairly decent live version. It's a decent bonus EP for anyone interested. 6/10
Breadwinner, Don't Let It Bring You Down (Live at BBC Maida Vale) | 2 | | All The Luck In The World A Blind Arcade
Uuuughh. I really, really, really want to get on that SowingSeason hype train, but I just can't. I really like the solitary chilling atmosphere of a subtle, down-to-earth fairy tale among some mountains and forests (that's how I feel about it), but the samey song-writing and execution with the breathy vocals just kept me away from really loving it. Not a bad album and definitely one I'd encourage you to go and listen to, but nothing for myself... 6/10
Landmarks, About the Ghosts | 3 | | Suburban Dinosaur An Island Beneath the Waves
I'm not sure what to think of this exactly. It just sounds kind of off and detuned. Any atmospheric merit is just drowned in the odd muddled production and the samey, unintriguing song-writing. Just more or less lacking anything outstanding all throughout. 5/10 | 4 | | Weird Magic ULU
Man, this album is just one big jolly good feeling, isn't it? It just never gives way to anything that isn't fun and uplifting. Yay for the dreamy sweetness. 7/10
Niwaki, Runez, CO>OL, Skunkape | 5 | | Hurry Every Little Thought
It isn't really as unbearable as many other power pop albums, but its sterilised softness and tacky song-writing (essentially, what makes power pop power pop) were simply boring and unexciting. 5/10 | 6 | | The Skull Defekts The Skull Defekts
I had high hopes for this. I expected an unsettling, harrowing nightmare of an album. And in a way I did receive that, but this album also surprisingly evokes very little emotion in me. I just cannot find enough to say about it. I liked it for the most part. Much like with the band's past material, I doubt I will have the strength or will to come back to it, not that any of their albums expect you to, but this time I also have nothing much to go off of after the first experience. 6/10
The Dance, A Message From the Skull Defekts | 7 | | Wake Misery Rites
One of the more versatile and musically mature powerviolence/grindcore efforts in recent memory, to be honest. There is no particular reason for me to omit writing a review for this. It's just that even after three very enjoyable listens I still don't think I have enough to say. It's just damn good and nothing else. 7/10
Misery Rites, Embers, Paradigm Lost, Bitter Winter | 8 | | Esoctrilihum Pandaemorthium
Death Metal so blackened that it doesn't reflect any light whatsoever. And I just cannot get into it. It is dystopian, but it also presents barely anything of musical variety all throughout. No matter how much I want to like it, I just can't all that much. 6/10
Abyssus Caliginum, Nocturle Ars Fh'a | 9 | | Table Scraps Autonomy
I like the song-writing, the lyricism and the old-school indie punk-ish tendencies, but good lord, what in the world happened on the production table? This album has the most disjointed and music-ruining sound I've heard in a long time. My goodness, this is so earache inducing. 5/10 (Edit after listening to their previous album: apparently this strange ugly sound is like their thing, cause these albums are exactly the same. Shame, could have been really fun throwback vibe records.)
Always Right, My Obsession | 10 | | Dedekind Cut Tahoe
GotG
Last year, when I announced the survey for 2018 Genre on the Grid, two particular genres seem to have risen up as favourites among people, Ska and Ambient. Now, Genre on the Grid options are always genres I either hate or am indifferent towards. Ska I hate. Ambient I was indifferent towards. And two months in, my mind is already turning around, which is astronomically better result than two years preceding this (2016's Prog Metal, where I didn't find anything I'd like; 2017's Downtempo, where literally nothing was released, so I couldn't find anything of interest). Anyway, I still do suffer from the same problem with Ambient that I have always. That is, I have barely anything to say. What am I supposed to say? This is calming and pretty. 7/10
MMXIX, De-Civilization | 11 | | Fossil Aerosol Mining Project August 53d
GotG
As unfortunate as it is, this is exactly one of the things that drove me away from ambient music in the first place. That sense of purposelessness and dreadful fatiguing anti-music. August 53rd is not like that, but it does near that quite closely. It is just so directionless and empty. Not a fan, sorry. 5/10 | 12 | | MGMT Little Dark Age
MGMT's signature quirkiness and sweet tunes are still there, but the sound became kind of jerky and off-colour, or maybe too much colour. It just becomes too hard to get through, what with all the odd electronic additions just popping up out of melody or rhythm. 6/10
Little Dark Age, One Thing Left to Try, When You're Small | 13 | | Rolo Tomassi Time Will Die And Love Will Bury It
In spite of all the hype (or perhaps because of it), I enjoyed this only partially. It is definitely not boring or bland, but it also strikes only ever so often. Especially when it comes to the longer tracks, which just drag on unnecessarily. 6/10
Rituals, Alma Mater, Whispers Among Us | 14 | | Red Lama Motions
Oh how close this album gets to being truly great. So, so, so close. It just slips away. The thing is that they operate with building, progressing tunes and not with traditional melodies, most of the time. And those build ups just don't end up that satisfying sometimes. 7/10
Perfect Strangers, Awakening, Come What May, Fular, Elements II | 15 | | Deathwhite For a Black Tomorrow
This is at the same time intriguing and relatively fun AND silly and pretentious. I just fail to connect, in spite of how much I try. At least it'd help, had the vocals had a bigger range. 6/10
The Grace of the Dark, Death and the Master, Prison of Thought | 16 | | Usurpress Interregnum
For as exciting and ass-kicking as this album is, it felt too short for its own good. This is one of those instances, where a sludge/doom record might have not been soul-deadeningly boring if draged out for 2 hours as they usually are. 7/10
A Place in the Pantheon, Interregnum, Late in the 11th Hour, The Iron Gates Will Melt | 17 | | Loma Loma
Nothing. Fucking. Happens. Here. At. All. 4/10 | 18 | | Keiji Haino and Sumac American Dollar Bill
Two things I dislike fused together here: drone boredom and bloated, overlong, exhausting doom. 5/10
partially What Have I Done? | 19 | | Ling Tosite Sigure #5
I've been meaning to listen to this band for a long time now. And now that I've heard this album I know what I've been missing. It might be a little too chaotic at times, but growing power is definitely there. 7/10
Ultra Overcorrection, Tornado Minority | 20 | | Harakiri for the Sky Arson
You know, I really liked this one. Or at least, I liked it as much as it could be liked. The band doesn't really know when to stop and the songs often don't justify their lengths. You feel like you've heard the whole album after one track and that is no good, because the rest will be oh so difficult to go through. Still, good black metal is always welcome. 7/10
Fire Walk With Me, Tomb Omnia, Manifesto | 21 | | Cabal (DK) Mark Of Rot
Clean production, shit execution in everything else. 5/10 | 22 | | Crescent (EGY) The Order of Amenti
Just your usual decent death metal. Nothing else. 6/10 | 23 | | Ride Tomorrow’s Shore
Much like anything else Ride touch, this is boring. 5/10 | 24 | | Totally Mild Her
Oh man, this was so goddamn smooth and soothing. The melodies are top-notch. The intrumentation is slightly generic, but does its job. The vocals may not have a range, but are fitting nonetheless. I just cannot see any reason not to give it a full 8/10.
Sky, Pearl, Lucky Stars, Today Tonight, Take Today, Down Together | 25 | | Black Milk Fever
I really don't get the negative reaction to this. Sure, this isn't a revolutionary tape or anything particularly grandiose, but BLack Milk still brings a lot of personality to this and the music is a little loose, but also oddly calming. Solid record. What's up with y'all? 7/10
unVEil, But I Can Be, True Lies, DiVE, Will Remain | 26 | | Eis Stillstand und Heimkehr
A little awkward vocally and a little dragging musically, but still a great dark lo-fi black metal. 6/10
t/t | 27 | | Bjorn Riis Coming Home
On one hand, there is hardly anything on this album. Seriously, it is mostly some ambient-ish sounds and occasional tune here or there, but nothing to go off of. On the other hand, it just strikes as calming and pleasant. Weird feeling this is. 6/10
Drowning, Lullabies in a Car Crash | 28 | | The Osiris Club The Wine-Dark Sea
If Avatar were serious. It has its merit, but the execution sometimes just doesn't hit the right note and ends up being drab. And the vocals here are some of the worst of the year. 5/10 | 29 | | Endless Heights Vicious Pleasure
SowingSeason's hype is understandible, but it just isn't for me. I like some of the harsher moments, but all-in-all too many muddy cuts and non-descript song-writing. But growth is not off the table. 6/10
You Coward, Come a Little Closer, Goldleaf, Run | 30 | | The Dead Mantra Saudade Forever
I should have given this a review, but I didn't have the time. So let's just call it a full 8/10 and that's it. 8/10
The Garden, Saudade Forever, Je Ne Dormiari Jamais, The Ropes, Window | 31 | | The Low Anthem The Salt Doll Went To Measure The Depth Of The Sea
I can't with this band. I have been more and more sceptical of their abilites record after record, but my completionist tendencies had the better of me and I kept on checking their new stuff. But they never surprised me beside just "okay, there's a nice moment". This is not the washed-out, muddled oddity their last one was, but it is just a handful of unfinished, vocally weak, often boring tunes. 5/10
Give My Body Back, Final Transmission from the Diving Umbrella | 32 | | Your End Ghost Architecture
There is hardly anything to say to this. It's for the fans of any heavy-ass blackened death metal. 7/10
An Unbegotten Memory of Lust and Agony, Upon the Icy Hill, The Mist | 33 | | Mamuthones Fear on the Corner
Mmmmmmmmmm... that weirdness and instrumental dysrhythmia. Mmmmmmm... that off-kilter anti-sing-writing. That's the deal, folks. Psychedelic, because it doesn't make sense. Yum. 7/10
Cars, Show Me, Simone Choule | 34 | | A.A.L. (Against All Logic) 2012-2017
Quite a pleasant surprise. This isn't your usual excruciating boredom Nicholas Jaar usually does. This is a (if I understood correctly) collection of sample-based chillout coolness. 7/10
I Never Dream, Some Kind of Game, Cityfade | |
Papa Universe
03.02.18 | I don't know if I should discontinue these or not...
and updates coming later. I have a lunch break. | Sniff
03.02.18 | Ska is a bad genre yes | Papa Universe
03.02.18 | Indeediest indeed there is, good sir. | Sniff
03.02.18 | I'm hella sure you'd dig this btw
https://www.sputnikmusic.com/soundoff.php?albumid=277819 | butcherboy
03.02.18 | you should NOT discontinue these resumes.. | RadicalEd
03.02.18 | uhhhhh 14 sounds sexy so far. | TheSpirit
03.02.18 | 8 has been on my radar, gonna check it this weekend. | Papa Universe
03.02.18 | updated ever so slightly | DoofusWainwright
03.02.18 | Papa the rater of 3 out of 5? | Papa Universe
03.02.18 | I have to drop that average rating to something, don't I? | Divaman
03.02.18 | I'm really liking 12. That goofy little work out song is stuck in my head.
Will also check out 2. It has a pretty cover. (Btw, does anyone have a shiny penny?) | Papa Universe
03.02.18 | Diva, you might dig 14, 24 and 29 | Divaman
03.02.18 | What makes you think so? | Papa Universe
03.02.18 | You liked MGMT, which is a kooky, melodic cuteness. Those three are just like that. | Divaman
03.02.18 | OK, I'll give 'em a whirl.
I'm actually surprised to be liking the MGMT album as much as I do. I liked parts of "Oracular Spectacular", but when they released that godawful "Siberian Breaks" single off their second album, I jumped off of them big time, and this is the first time I'm back on them. | Papa Universe
03.02.18 | In all honesty I've only heard Kids and Time to Pretend, which is all anybody heard, really, but since there was a new album out I gave it a shot and it turned out swell. | Divaman
03.02.18 | Not "Electric Eel" from the first album? That was a decent one. | Papa Universe
03.02.18 | aight, gonna listen to that then | Divaman
03.02.18 | I like this album better, though. | Papa Universe
03.03.18 | Electric Feel did nothing for me, tbh. | DoofusWainwright
03.03.18 | Tried the Totally Mild and their debut (mainly due to the art) - new one is better vocally, she still overelaborates a bit melodically for my tastes. Decent though, in that Ciggies After Sex stylee | Papa Universe
03.03.18 | all updated | BlazinBlitzer
03.05.18 | Completely agree with 2 and 13. | Divaman
03.07.18 | I was only so-so on 24 and 29, but I liked 14 a lot -- psychedelic and very interesting. | DoofusWainwright
03.07.18 | Totally Mild have an absolutely incredible song on the album before this one - ‘Money or Fame’. Beats Lana del Rey at her own game.
Both albums have three, maybe four, great tunes and then some less successful attempts
| Divaman
03.07.18 | I thought they were OK on this album, but a little bland. | bgillesp
03.09.18 | Come back Papi! |
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