Review Summary: Brant Bjork's most relaxed album so far.
In 1993, Brant Bjork left Kyuss. But in those years he built a reputation as a drummer which very few at that age has ever done. In the years that followed he would join the band Fu Manchu and play in several projects while writing his own music. In October 1999, he released ‘Jalamanta’ on Man’s Ruin, which is arguably his most famous solo album. ‘Local Angel’ was released in August 2004 as his fourth solo album and is also his most laidback and intimate one.
The opening track sets the mood with deep bass and swimming guitars which are present for a few songs on the album. Brant’s voice is soft and relaxed and it’s easy to float away with the music. Songs like ‘Chico’ and ‘Fly to Haiti’ keeps the intimacy and calm atmosphere like the opening track and Brant’s lyrics keep it interesting enough to keep the music flowing. What irritates me however, is the production of Brant’s voice as it sometimes feels like he is singing right in front of your face. The same goes for the guitar and bass sometimes as well.
His cool side appear more audibly in songs such as ‘The Feelin’’ with a nice riff and more powerful vocals. Moving on to ‘Bliss Ave.’ we find a Jalamanta inspired song with the familiar deep bass drive and drums. ‘You’re Alright’ reminds more of his former project Ché, and is one of the coolest songs on the album. Like many desert rock artists, Brant has an ability to ‘do more with less’ – using simple riffs in his music. A good example of this is ‘The Good Fight’ where 'the vibe' is the drive of the music. The album finishes off with two covers, ‘I Want You Around’ by Ramones and 'Hey Joe', both performed quite satisfactory.
Brant’s music may seem monotonous and too simple, but it is relaxing and laidback just like Brant himself. The album is worth a listen, but if you want more power in the music you should take a look at Ché or his newer albums. This album is calm and cool with a few outbursts to keep your attention.
