Foxing
The Albatross


4.5
superb

Review

by Breaded USER (20 Reviews)
February 12th, 2014 | 8 replies


Release Date: 2013 | Tracklist

Review Summary: The Albatross blends complex instrumentals, beautiful lyricism, and a distinct sound to create one of the best indie/emo albums of the past few years.

The title of Foxing's album, The Albatross, is an allusion to a poem by Samuel Coleridge, The Rime of the Ancient Mariner. In the poem, a ship is led out of stormy waters and into calm seas by an albatross. After leaving the cold waters, the Mariner makes the decision to shoot the albatross down, a decision that the crew eventually supports as the ship continues into warmer and warmer waters. Eventually, the ship becomes stranded without a cross wind, and the crew turns again on the Mariner, forcing him to wear the body of the bird around his neck as a penance. However, as vengeful spirits appear and punish all the members on board with death, the Mariner suffers a different fate: he is forced to walk the Earth, not dead, but not quite alive, and tell his story to all he meets.

The final verse on the first song, "Bloodhound", makes it apparent that the narrator has suffered the same fate.

"When the tide rolled in there was nothing left
But an albatross hanging from my neck.
And just as you could not contain the sea,
You could not contain me."

Foxing comes out the gate with an emotional tour de force, an insight into singer Conor Murphy's mind as he guides us through his own experiences. From the opening track, where Murphy sings over a beautiful orchestra instrumental, something special clicks. Similar to the feeling the second track on The Antlers' acclaimed Hospice evokes, where Peter Silberman set up context for the heart-churning story he was about to tell, Murphy does the same. What follows is 9 tracks of awesome instrumentals, coupled with beautiful writing and honest singing.

The core of this album lies in Conor Murphy's poetic vocals and the complex, always changing instrumentals. Immediately, one could compare the sound from Foxing similar to contemporaries such as The World Is A Beautiful Place..., Empire! Empire!, and La Dispute. Though, The Albatross manages to establish a distinct style through the occasionally math-rock drum work, selective use of horns and drum machines, and the highs and lows of Murphy's vocal ability. Easily transitioning between soft spoken hymns to shredding wails, as seen in the emotional centerpiece "Rory", where Conor almost begs "So why don't you love me back?". The same song is also an incredible instrumental piece, slowly building up to the singer's release. "Den Mother" is another stand out track, where the post-rock influenced guitars lead up to Murphy's celebratory, yet slightly cynical yells "If nothing becomes, at least soft light lay on us!". Conor's ability to turn up the volume is showcased perfectly on "Bit By A Dead Bee Pt.1", which contains some of the roughest vocals on the album, sounding comparable to The World Is A Beautiful Place's song "I Will Be Okay. Everything.".

The Albatross incorporates the poem its title references beautifully, using the story of the Mariner as a backseat to mirror Murphy's own story. To keep this review from sounding like a half-hearted English report, I wont go into it. I do suggest reading the poem before listening to this album, though, as it enhances the listening experience as Conor subtly connects his story to the Mariner's. Awesomely poetic lyricism help push these themes over the top, truly setting Foxing apart from the more recent emo/indie trends of angsty lyrics and catchy, pop guitar work. Don't take that as me saying this album isn't catchy, however, some of the hooks and chants on here will stick in your head for a long time to come. As the album closes, Murphy brings the story full circle, with a response to the final line on the first song.

"You could not contain me."
"Because I can not contain you."

This band has released something truly special and memorable here. The post-rock guitars coupled with complex drum lines and additional orchestral instruments perfectly balance Conor Murphy's incredible vocal ability. Absolutely nothing on this album stands out above anything else; no song nor sound on this album feels out of place. I urge any fan of the genre, or even any fan of beautiful and heartfelt music, to check this album out. The Albatross is an incredible experience, and I look forward to what this group has to offer in the future.

Foxing is ready to fly.



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Comments:Add a Comment 
Breaded
February 12th 2014


46 Comments

Album Rating: 4.5

Had this whole thing written and then refreshed and mucked it up, so this review probably sucks.



Anyway, listen to it here.



http://foxingtheband.bandcamp.com/music





Trebor.
Emeritus
February 12th 2014


59861 Comments

Album Rating: 3.5

rawks

elephantREVOLUTION
February 12th 2014


3053 Comments

Album Rating: 4.0

i'm seeing these guys in a couple weeks with citycop

Schizophrenik
February 13th 2014


848 Comments


good review

Yuli
Emeritus
February 13th 2014


10767 Comments


This is a really good review, man. I like what you did by tying in the poem to the record- it provides an interesting context, one that I wasn't aware of until I read your review.

First off, your grasp of writing is already fairly good. Do you have much experience writing elsewhere? I'm able to skip over many of the fundamental points I'd typically make, because you have a solid understanding of how to place words together in a successful and engaging way. That first paragraph in particular, it really works for me because you present it in a very matter-of-fact way- and while I typically don't love writing that fits that description, it works because you're talking about something that sheds light on the music at hand.

You stumble a bit when it comes to descriptions of the music itself. I can relate to that, as it can often be hard to talk about the way music sounds in an effective way. But there are quite a few moments where you mention your favorite tunes, and then justify them as your favorites by using descriptors as "awesome" and "incredible." I'm not a fan of words like these because they don't tell me much, other than the fact that you enjoy them (which I can see from that rating up there!) Instead of telling me the instrumentals are incredible, focus on why that is. Do they convey the same emotions the lyrics do, and if so, what are those? What emotions does this record have in common with the poem from which many of its lyrics were influenced? These are all things to think about for next time.

Overall, this is really good work, man. I'd like to see more from you on the site, and I hope you find something useful out what I've said here.

Breaded
February 13th 2014


46 Comments

Album Rating: 4.5

Wow, thank you so much! I guess that one semester taking English courses paid off.



And yes, the descriptions of the music itself is something I'm trying to wrap my head around. Your suggestions help shed some light on exactly how to present the music to a reader without having them entirely rely on my dumb opinions. Thank you! I will definitely incorporate your input into future reviews.

Iamthe Nightstars
February 14th 2014


2974 Comments

Album Rating: 3.0

This might make no sense but I feel like I want to like this album more than I actually do, because it is definitely good.

initforthelisten
December 6th 2015


44 Comments

Album Rating: 4.0

I wish you'd gone more in depth with the album's allusion to The Rime of the Ancient Mariner, but this is nonetheless a cool write-up. I'm momentarily infatuated with this album.



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