Thoroughly shambolic - almost every song/lyric sounds like it could've been made up on the spot, and what is maybe the only discernable 'hook' is delivered via Stephen Malkmus falsetto. Accordingly, it does come off as half-assed, but in a good way - fun, sloppy, experimental, folky, jammy, odd, lyrically intriguing - if nothing else, the Pavement member recognition helps you through.
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