This is the moment MoB wanted their studio records to sound like their live shows: noise became a more central part of the arrangements, as their concerts were a loud mess, and they decided to record the instruments simultaneously instead of overdubbing separately. On top of that, Martin Swope's loops are more prominent than before, making for a very dense sound. The moody tracks ("Trem Two", "Dead Pool") are working the best here, the faster cuts being more noisy punk mess that I like but don't love. The closer slaps hard tho.
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