HelloJoe
User

Reviews 8
Approval 91%

Soundoffs 30
Album Ratings 85
Objectivity 88%

Last Active 11-18-21 6:46 pm
Joined 10-31-21

Review Comments 1,097

Average Rating: 3.17
Rating Variance: 0.59
Objectivity Score: 88%
(Well Balanced)

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5.0 classic
Nick Drake Bryter Layter

4.5 superb
Binker and Moses Feeding the Machine
Transporting free jazz that couples Binker's saxophone with dramatic production while leaving plenty of punch for Moses' drums. It's simply awesome.
Cassandra Jenkins An Overview on Phenomenal Nature
Cecile McLorin Salvant Ghost Song
Another banger of an album from Cecile. It's a very provocative album and perhaps her most eccentric in terms of production and arrangement. The sources she draws from here are varied, as is the musical approach. It's eclectic to say the least and yet she has a great thematic through line between Wizard of Oz, Kate Bush, Gregory Porter, and Sting.
Jacob Collier Djesse (Vol. 1)
His voice might be a bit dry on this one. It better favors the ballads than the funk but putting that aside, everything else fires on all cylinders. The production is very detailed and layered with lovely flavors, harmony, great musicianship and clever theory.rIt's one of those albums you can return to, and each time you will hear something new. Very ambitious, explores a plethora of styles, sounds and ideas but finds a point of entry to sequence them all.
Mathias Eick When We Leave
Beautiful. Effortlessly transformative and very creative.

4.0 excellent
Chip Tanaka Domani
The third album from Chip Tanaka introduces more acoustic elements to his music with songs that feature upright bass and a drum kit. It's another great record from a well-versed chiptunes artist.
Cormac Begley B
This is an excellent record. Cormac's second
album and a rare thing at that as it's a solo
bass concertina record. It's very dynamic,
playing in various different styles and genres
with absolute ease.
Daniel Rossen You Belong There
Fergus McCreadie Forest Floor
Fergus and his trio delivering me another record inspired by folk melodies that has driven his work so far. Fantastic dynamics that toy with melodic folk and jazz improvisation with strong performances from all members of the band.
For Those I Love For Those I Love
Immanuel Wilkins The 7th Hand
Jacob Collier Djesse Vol. 2
Jacob Collier In My Room
Clever progressions that sound like they shouldn't work but they do. Really nice textures, and
bold ideas. I can understand listeners being turned off by the dry timber of his voice, but for
me, that is subsided by the beautiful arrangements and creative melodies.
Jacob Collier Djesse Vol. 4
Jennifer Souza Pacífica Pedra Branca
A soulful indie rock record with inflections of folk and jazz. I really like it.
John Francis Flynn I Would Not Live Always
Leon Bridges Good Thing
Matt Carmichael Where Will The River Flow
Rokia Koné & Jacknife Lee BAMANAN
Malian singer Rokia Koné partners with Irish producer Jacknife Lee for this wonderful meeting of worlds, bringing the experienced vocalist to the hands of a contemporary rock producer for an inspired body of work.
Villagers Fever Dreams

3.5 great
Anais Mitchell Anais Mitchell
It's a very pleasant album from start to finish. Very good lyrics, nice melodies and breezy production. It's not reinventing the wheel, and maybe the song structures can be repetitive but the substance here is very good.
Another Michael New Music And Big Pop
Black Country, New Road Ants from Up There
Brad Mehldau Jacob's Ladder
It's a dense body of work that takes many of
the eccentricities of Finding Gabriel and turns
them
up tenfold. A love-letter to Mehldau's
influences outside the spaces of jazz and into
some really
bold territory.
Destroyer LABYRINTHITIS
Destroyer Have We Met
Gabriel Kahane Magnificent Bird
As always, Gabriel is a great storyteller. I love how he explores the seemingly unassuming and
banal in such specific and romantic terms. There are also touching ruminations on time, life
moving forward and lives coming to a close, and all of this playing out over Zoom calls and phone-
screens.

Not all the production choices land for me on this one but all the same, I'm very fond of this
album.
Gang of Youths Angel in Realtime
Hayden Thorpe Diviner
Jacob Collier Djesse Vol. 3
Japanese Breakfast Jubilee
Jonah Nilsson Now Or Never
Khruangbin and Leon Bridges Texas Moon
Khruangbin & Leon Bridges remain a terrific match.
Lara Rosseel Hert
An eclectic jazz record from bassist Lara Rosseel. The record ebbs and flows between pastel ambience to fusion funk bops. Very listenable and entertaining.
Nduduzo Makhathini In The Spirit of Ntu
Punch Brothers Hell On Church Street
Despite finding the delivery of songs like 'One more Night' as a little too clean, the musicianship and prowess on display here is strong as always. Some of their music beautiful work since The Phosphorescent Blues.
Ryley Walker Course In Fable
Terence Blanchard Absence
The 1975 Being Funny In A Foreign Language
Tigran Hamasyan StandArt
It does exactly what it says on the tin. It's a
very enjoyable listen but maybe it's missing
what I would usually point to as being
decidedly Hamasyan's work. Those elements of
Armenian folk and fusion aren't present as much
here, or more subtly implied. Usually, these
are found more overt and so it certainly is an
album I really like but maybe not Hamasyan's
usual fashion.
Vijay Iyer / Linda Oh / Tyshawn Sorey Uneasy

3.0 good
Aspidistrafly Altar of Dreams
It has been 11 years since this Singapore duo's last album. I love the ideas in this record, although it has some strange mixing choices that occasionally pull me out of the experience. All the same, great vocals, imaginative lyrics, and creative ideas make for a lovely listen every time.
Big Thief Dragon New Warm Mountain I Believe in You
Birthmark Birth of Omni
Carly Rae Jepsen Emotion
Floating Points, Pharoah Sanders & The LSO Promises
Hajna Eleusis
A really explorative trance epic with various acoustic instrumentals all composed and produced by Hajna. It's very much a trance album first and an instrumental epic second, but the two acoustic sprinklings add a nice texture to the songs.
Hayden Thorpe Moondust for My Diamond
Henry Jamison The Years
I always like Henry Jamison's music. I think he's a fabulous song-writer with a unique voice both
vocally and lyrically. While I don't think this album quite reaches the exceptional highs of The
Wilds or Gloria Duplex, it's still a lovely blend of melancholy and subtlety.
Jenny Hval Classic Objects
Khalab and M'berra Ensemble M'berra
Laura Mvula Pink Noise
Leon Bridges Gold-Diggers Sound
Pinegrove 11:11
Ryley Walker So Certain
I really like this compliment to Walker's 2021 album Course in Fable. A very similar approach in all manners of speaking. Mostly pleasant and breezy vocals over musicianship and instrumental prowess. 'Pharaoh's Plastic' has a particularly rock vocal delivery that cuts the oft. mild-mannered and welcoming voice.
The Antlers Green to Gold
The Staves Good Woman

2.5 average
Aldous Harding Warm Chris
Anthony Green Boom. Done.
Arlo Parks Collapsed in Sunbeams
Bleachers Take the Sadness Out of Saturday Night
Brandon Flowers The Desired Effect
I really like some of these songs but some of the volume and compression is rough and really leaves some of these songs sounding too crunchy and flat for me.
Eels Extreme Witchcraft
The record has a really nice sound to it. All the songs a very enjoyable. It's not reaching very high but it's a fun listen.
Father John Misty Chloe and the Next 20th Century
Hiss Golden Messenger Quietly Blowing It
Local Natives Violet Street
Violet Street is a very stylized record where each element has been carefully and artistically
considered. I really like how bold the album is but I also feel it is overly produced and
architected, with some songs sounding less like a band and more like a series of samples. That
saturated ambition is very interesting for this talented band but I hardly find myself immersed
here. I'd love if the songs had an anchoring point somewhere but no one element serves up the same
aesthetic that forms a cohesive whole which makes tangible sense.
Matthew Milia Keego Harbor
It's a pretty by the book Milia album. Never a bad thing. He's a great songwriter, after all but I preferred his previous records.r'With the Taste of Metal on Its Tongue' is a standout, and reminds me of Deadmalls era Milia melodies.
Mitski Be the Cowboy
I really like Mitski as an artist and I think that these songs could be more enjoyable to listen to but they're sadly very compressed.
S. Carey Break Me Open
St. Vincent Daddy's Home
The War On Drugs I Don't Live Here Anymore
Typhoon (USA-OR) Sympathetic Magic
Yard Act The Overload
I like their vocalist, James Smith. He has a lot of wit and charisma in his vocal performances. It's not a bad listen, either. I quite enjoyed it.

2.0 poor
Arcade Fire WE
Bastille Give Me the Future
I didn't care for this much at all - not the production, nor the song-writing. I respect it,
though. There's clearly a vision in mind here and a sense of cohesion among the whole project. To
that end, I definitely appreciate it, even if it's not for me. Also, it has a Riz Ahmed feature
and that's cool.
Ed Sheeran =
Foals Life Is Yours
Harry Styles Harry's House
My Morning Jacket My Morning Jacket
Taylor Swift Midnights
The Lumineers Brightside
It's a pleasant sounding album altogether but I am not particularly fussed on the songs themselves. 'A.M. RADIO' has an interesting and deliberate shift in time-signature when transitioning to the chorus but the chorus itself isn't all that interesting. That's how I feel about much of the while listening experience.
Wet Leg Wet Leg
It's not my cup of tea. I bet they're a lot of fun live as the record has a really endearing
humour to it, even if it's not my type of humour.
Wolf Alice Blue Weekend

1.0 awful
Maroon 5 Jordi
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