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Reviews 19
Approval 97%

Soundoffs 3
Album Ratings 203
Objectivity 64%

Last Active 01-01-70 12:00 am
Joined 01-01-70

Review Comments 54

Average Rating: 3.73
Rating Variance: 0.32
Objectivity Score: 64%
(Fairly Balanced)

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5.0 classic
Oasis Definitely Maybe
The Beatles Rubber Soul
The Beatles Sgt. Pepper's Lonely Hearts Club Band
The Who Tommy
Third Eye Blind Third Eye Blind

4.5 superb
Ben Folds Five Whatever and Ever, Amen
Brand New The Devil and God Are Raging Inside Me
Brand New Deja Entendu
Cat Power You Are Free
Foo Fighters There Is Nothing Left to Lose
Laura Veirs Year Of Meteors
Madeleine Peyroux Half The Perfect World
Nirvana Nevermind
Oasis (What's the Story) Morning Glory?
Oasis The Masterplan
Phoenix (FRA) It's Never Been Like That
Radiohead The Bends
Rage Against the Machine The Battle of Los Angeles
Sons And Daughters The Repulsion Box
Adele Bethel could well have been a waitress at some small pub in Glasgow where they served drinks at night with a round of community singing around a piano and a guitar. It's really that simple with Sons and Daughters, like the songs on The Repulsion Box wrote themselves after a particularly good night at Smith's Beer and Chips.

Their inherent folk-iness (or beer buzz as I'd like to believe) sets them apart from a tonne of other Scottish bands who're trying too hard to be Britpop, 10 years too late. Scott Paterson (second vocals) adds a bonus range to their songs that would've been good enough if it was just Bethel singing. And the unavoidably catchy thump, thump, thump is just irresistible. They had me at just Bethel's divine Scottish accent. And it's just the same when she lets out this mirror-shattering screech like on Gone. There's a certain predictability to what they do after the first few songs but that's forgivable given the economy with which they create these bombastic tracks. This is not your average pub band who've had too much to drink before getting on stage. It's a bloody good way of saying "I love you" without a hesitant tone, and then sleeping with the neighbours wife.
The Beatles The Beatles
The Beatles Abbey Road
The Beatles Let It Be
The Beatles Revolver
The Decemberists Picaresque
The Doors The Doors
The Shins Chutes Too Narrow
The Who Quadrophenia
Wolfmother Wolfmother

4.0 excellent
A Perfect Circle Thirteenth Step
Arctic Monkeys Whatever People Say I Am, That's What I'm Not
Audioslave Audioslave
Ben Folds Rockin' The Suburbs
Black Rebel Motorcycle Club Take Them On, On Your Own
blink-182 Take Off Your Pants And Jacket
Blur Parklife
Brand New Fight Off Your Demons (The Demos)
Calla Strength In Numbers
Camera Obscura Let's Get Out of This Country
Cat Power What Would the Community Think
Cat Power Moon Pix
Cursive The Ugly Organ
Damien Rice B-Sides
Damien Rice O
Damien Rice Live From The Union Chapel
Doves (UK) The Last Broadcast
Emery The Question
Feist Let It Die
Foo Fighters Foo Fighters
Foo Fighters In Your Honor
Foo Fighters Skin and Bones
Fountains of Wayne Welcome Interstate Managers
Franz Ferdinand You Could Have It So Much Better
Franz Ferdinand Franz Ferdinand
Incubus (USA-CA) Morning View
Incubus (USA-CA) Light Grenades
Incubus (USA-CA) Alive at Red Rocks
Interpol Turn on the Bright Lights
Jimmy Eat World Clarity
Jimmy Eat World Bleed American
Kaiser Chiefs Yours Truly, Angry Mob
I can't get the words Ruby, Ruby, Ruby and Rubay out of my head. Though somehow, I'm not altogether convinced that I want to.
The Chiefs are back in their sophomore attempt. Of course the weight of expectation wouldn't be too high? I mean, it's not like Employment had like eight singles or anything. And it's not like I went through the last five months humming "Na Na Na Na Naa". Okay, I did. So basically, KC has a lot to live up to.
YT,AM is not as catchy as Employment. Maybe it's the Kaiser fatigue, maybe it's too much Maximo Park. Maybe the songs just aren't that catchy. Which is not to say that have too. "We are the angry mob, we read the papers everyday" is every bit as stadium as "I predict a riot"; but somewhere along the line Ricky Wilson forgot to reinvent his band. It's something that's going to catch a lot of bands out this year if they're not careful (Arctic Monkeys, Wolfmother, er... Maximo Park).
Where Ricky and co. have shown some skill is in reliving the instrumental chorus excitement of Employment. Songs like Heat Dies Down and High Royds are flowing with sticky hooks and sing-along choruses. And somewhere in the middle they throw in a gem in the form of Love's Not A Competition (But I'm Winning); Wilson's softer side isn't exactly "soft", but it's good enough to save the album from being boring.
Sure YT,AM's going to sell tonnes of records for the Chiefs, but if they want to fill up the arenas, they better start thinking bigger on their next outing.
Kaiser Chiefs Employment
Kasabian Kasabian
Kelly Jones Only The Names Have Been Changed
Led Zeppelin Led Zeppelin IV
Maximo Park A Certain Trigger
Mirah You Think It's Like This But Really It's
Nirvana From the Muddy Banks of the Wishkah
Oasis Be Here Now
Oasis Familiar To Millions
Peter Bjorn and John Writer's Block
Queens of the Stone Age Songs for the Deaf
Queens of the Stone Age Rated R
Queens of the Stone Age Lullabies to Paralyze
Radiohead OK Computer
Radiohead Kid A
Rage Against the Machine Rage Against the Machine
Regina Spektor Soviet Kitsch
Silverchair Frogstomp
Snow Patrol Final Straw
Something For Kate Desert Lights
Something For Kate The Official Fiction
Something For Kate Beautiful Sharks
Stereophonics Just Enough Education to Perform
Stereophonics Language.Sex.Violence.Other?
Stereophonics Performance and Cocktails
Stereophonics You Gotta Go There To Come Back
The Beatles Help!
The Beatles 1967 – 1970
The Beatles Magical Mystery Tour
The Beatles A Hard Day's Night
The Beatles 1
The Decemberists The Crane Wife
The Decemberists Castaways and Cutouts
The Doors Strange Days
The Doors Morrison Hotel
The Doors L.A. Woman
The Format Interventions and Lullabies
The Kooks Inside In/Inside Out
The Shins Oh, Inverted World
The Shins Wincing the Night Away
The Wallflowers Bringing Down the Horse
The Who My Generation
The Who The Who Sell Out
The Who Who's Next
The Who The Who by Numbers
Thrice Vheissu
Travis 12 Memories
Travis The Invisible Band
Yeah Yeah Yeahs Fever To Tell

3.5 great
Arctic Monkeys Five Minutes With Arctic Monkeys
Ben Folds Songs for Silverman
Ben Folds Five The Unauthorized Biography of Reinhold Messner
Blur Modern Life Is Rubbish
Blur Blur
Blur The Best Of
Blur Think Tank
Cat Power The Greatest
Cold 13 Ways to Bleed On Stage
Damien Rice 9
Eagles Of Death Metal Death By Sexy
Foo Fighters The Colour and the Shape
Foo Fighters One by One
Guillemots Through the Windowpane
Incubus (USA-CA) A Crow Left of the Murder...
Incubus (USA-CA) When Incubus Attacks, Vol. 1
Interpol Antics
Jimmy Eat World Futures
Kasabian Empire
Lifehouse Stanley Climbfall
Lifehouse Lifehouse
Nirvana Bleach
Nirvana Incesticide
Oasis Stop the Clocks
Oasis Stop the Clocks EP
Oasis Standing on the Shoulder of Giants
OK Go OK Go
OK Go Oh No
Rage Against the Machine Evil Empire
Rooney Rooney
Silverchair Freak Show
Silverchair Neon Ballroom
Silverchair The Best Of: Vol. 1
Silverchair Diorama
Snow Patrol Eyes Open
Spoon Gimme Fiction
Stereophonics Live From Dakota
Sum 41 All Killer No Filler
The Beatles Yellow Submarine
The Beatles Love
The Beatles Please Please Me
The Decemberists Her Majesty the Decemberists
The Decemberists 5 Songs
The Doors Waiting for the Sun
The Doors The Soft Parade
The Jam In The City
The Killers Hot Fuss
The Strokes Is This It
The Wallflowers Rebel, Sweetheart
The White Stripes Elephant
The Who Who Are You
The Who The Kids Are Alright
Third Eye Blind Blue
Third Eye Blind Out of the Vein
Thrice The Artist in the Ambulance
Yeah Yeah Yeahs Show Your Bones

3.0 good
Arcade Fire Funeral
Arctic Monkeys Who The Fuck Are Arctic Monkeys?
blink-182 Blink-182
Blur 13
Brand New Your Favorite Weapon
Cat Power Myra Lee
Cat Power The Covers Record
Fall Out Boy Infinity on High
Incubus (USA-CA) Make Yourself
Incubus (USA-CA) S.C.I.E.N.C.E.
Klaxons Myths of the Near Future
I'll be honest. I like NME. And they like everything. I haven't read a single review that was under 7 of 10. And ever since they gave Klaxons 9, I'd been waiting to get my hands on this baby. Oh man is their website trippy.

Heralded as the new wave of new rave, the weight of expectation on MOTNF was high. And fortunately, I'm a sucker for opening tracks. So Two Receivers had me at hello, though admittedly I thought it was the opening to Sick Sad Little World (Incubus). And though it's not really a 9 of 10 track, it's got enough spunk in it to ensure a good start to the album.

From then on, it's a roller coaster ride through, well, most places in South England (okay so they're from London), some places in Morocco and wherever else there's a party with alcohol punch and fruit. Golden Skans, with it's floaty ooo's and aaa's is psychedelic pop at its best with its druids and whatnots. Somewhere in between Franz Ferdinand and The Strokes we find ourselves drunk in the video game end credits of Gravity's Rainbow and suddenly the Bee Gees type vocal harmonies aren't that cheesy anymore. Phew. It's not just the harmonies that bring back fond memories of disco and shiny balls, but just the way the songs flow from one bouncy robot beat to another.

Where Klaxons lose out to, say The Rapture, is in energy. Which is not to say that the songs aren't terribly exciting. "Light the bridges with the lantern, you know something's going to happen" (Forgotten Worlds) Klaxons may be caught for trying too hard. Maybe.
Love Of Diagrams Mosaic
Nirvana In Utero
Oasis Don't Believe the Truth
Oasis Heathen Chemistry
Our Lady Peace Gravity
Radiohead Amnesiac
Rage Against the Machine Renegades
Rediscover Call Me When You Get This
Snow Patrol When It's All Over We Still Have to Clear Up
Taking Back Sunday Where You Want To Be
The Beatles Beatles for Sale
The View Hats Off To The Buskers
The Who A Quick One
Thursday War All the Time
Travis The Man Who
Travis Good Feeling

2.5 average
Audioslave Out of Exile
Blur Leisure
Cat Power Dear Sir
Idlewild Make Another World
Radiohead Pablo Honey
Radiohead Hail to the Thief
The Horrors Strange House

2.0 poor
Audioslave Revelations
Blur The Great Escape
The Offspring Splinter
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